Read Act I of the play, then go to the naming and listing at least two examples for each of the style patterns you pitch found in Act I. Give the scene and lineage number where you find each example. 1. Unusual cry arrangement I could a tale unfold (I, v) In my minds eye (I, ii) It can non come to good (I, ii) It started same(p) a abominable thing (I, i) Leave her to heaven (I, v) More honoured in the permit out than the observance (I, iv) More in sorrow than in anger (I, ii) Neither a borrower, nor a lender be (I, iii) Not a mouse soul-stirring (I, i) O my portentous soul! (I, v) Something is rotten in the state of Denmark. (I, v) So untold for him (I, ii) There be more things in heaven and earth, Horatio, Than are dreamt of in your philosophy. (I, v) This too too solid flesh (I, ii) To thine get self-importance be neat (I, iii) 2. Omissions Tis bitter cold (I, i) Tis unbent: tis true tis pity, Tis now struck twelve; get thee to bed, Francisco (I, i) 3. dustup n ot quite our own (unusual words) That it should come to this! (I, ii) All is not well (I, ii) Frailty, thy soma is woman!
(I, ii) Give thy grammeghts no clapper (I, iii) I am sick at heart (I, i) tis = it is; ope = assailable; oer =over; gi = give; neer = never; i = in; eer = ever; oft = a lot; a ~=he; een = even 1. Second somebody pronouns: thou, thy, thine, ye 2. Verb inflection: second person thou + a-t, -st, or -est = thou art, thou seemest; may be undertake: thou seemst third person he, she, it + add -eth =... If you wish to get a full essay, order it on our webs ite:
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